£24,500

Kalliope

KALLIOPE (a.k.a. Calliope, meaning “beautiful voice”) is the eldest of the Muses, goddesses of music, song and dance in Greek mythology. Kalliope is the goddess of epic poetry and eloquence.

In any audio system, there are certain points along the signal path that are more crucial than others. These are the intersections where the signal is converted from one form of energy into another. Such transformations occur when the needle of a phono cartridge traverses the micro-grooves of a vinyl record, converting kinetic energy into an electrical signal. At the opposite end of the signal path, loudspeakers must transform electrical input into acoustic output.

But perhaps the most critical transformation of all is the conversion of the output of digital sources into an analogue signal, ideally without loss or distortion of any kind. Despite the lofty claims of many manufacturers, what is lost or changed at this point can never be recovered or restored.

In acknowledgement of the on-going refinement of digital audio sources and the rapid evolution of high-resolution digital audio formats, Gryphon Audio Designs now presents the Gryphon Kalliope digital to analogue converter to stand as the gateway that conveys the musical signal from one domain to the next in utterly pristine condition.

THREE REASONS WHY BITS ARE NOT JUST BITS

The well-worn phrase “Bits is bits” encapsulates the widespread misconception that any reasonably constructed digital system will result in “Pure, Perfect Sound Forever,” in the lamentable promotional slogan coined by the inventors of the compact disc.

1.) Digital audio is not a simple one-dimensional row of numbers, where all that is required is to keep the correct numbers in the correct order. In fact, it is a data stream of numbers flowing through time. And the right number at the wrong time is (almost) as bad as the wrong number.

Gryphon Kalliope ensures effective correction/prevention of timing errors (jitter) using sophisticated circuit topology and exclusive, custom-built components.

2.) Following digital to analogue conversion, an analogue filter is required to remove high frequency noise. The deleterious side effects of a typical steep-slope “brickwall” filter include temporal smearing, energy loss, compromised resolution and reduced transparency.

Gryphon Kalliope employs advanced technologies and an innovative, minimalist single-component filter with no adverse audible impact.

3.) Advocates of the “bits is bits” attitude tend to ignore the fact at the end of all digital signal processing there is an analogue stage. The circuit design, component selection, power supply and layout of this stage are all just as critical now in the digital era as they ever were in the analogue age.

Gryphon Kalliope draws on decades of experience in the design and construction of some of the finest analogue audio systems the world has ever known.

DIGITAL PIONEERS

Kalliope is far from Gryphon’s first foray into the digital arena. Throughout the digital era, Gryphon Audio Designs have stood for major innovations, paving the way for others to follow. In 1998, Gryphon introduced the world to the sonic benefits of 88.2 kHz asynchronous sample rate conversion in the CDP-1 CD player, the world’s first implementation of this advanced technology.

Specifications

Dedicated ESS SABRE ES9018 32-bit D/A converter for each channel
Each ES9018 incorporates eight individual D/A converters in Dual Differential coupling for optimal performance
USB input compatible with following audio formats via PC/MAC. PCM: 44.1, 48, 88.2, 96, 176.4, 192, 352.8 and 384 kHz, up to 32 bits. DSD via USB (DoP): 2.822, 3.072, 5.644 and 6.144 MHz
BNC and XLR inputs compatible with PCM: 22.05, 24, 32, 44.1, 48, 64, 88.2, 96, 176.4 and 192 kHz, up to 24 bits
User-selectable PCM and DSD digital roll-off filters
User-selectable asynchronous PCM sample rate conversion
Temperature-compensated, ultra-low jitter crystal oscillators with better than 5 parts per million accuracy
12.5 Farad SuperCap powersupply for the Kalliope USB module which acts like a true battery supply
Balanced 110 Ohm XLR AES/EBU input
Three single-ended 75 Ohm BNC S/PDIF inputs.
Balanced 110 Ohm XLR AES/EBU output for de-jittered signal from selected input
Galvanic isolation of BNC and XLR inputs for minimal jitter
75 Ohm BNC connector for optional external word clock
Modular digital audio sections for possible future upgrades
True Class A, fully discrete analogue circuitry with zero negative feedback
First-order PCM analogue filters and second-order DSD analogue filters with silvered Mica capacitors
Analogue output stages with discrete, ultra-low noise +/- 25VDC regulated voltage supplies for best THD and noise suppression
Discrete, ultra-low noise power supply for analogue section of ES9018 DAC
Comprehensive noise regulation of all digital circuits
Custom-built 65 VA toroidal transformer for each analogue channel
34,000 microFarad power capacitor banks for each analogue channel
True Dual Mono configuration
Balanced XLR analogue outputs and single-ended phono outputs
Ultra-short signal path with minimal internal wiring
Four-layer 70μ thick copper trace PCB’s
Personalised naming of each input
Vacuum Fluorescent Display with variable illumination
No drivers required for LINUX or MAC OSX
Driver available for Windows XP/Vista/7/8
Automatic standby mode with user-selectable interval
Standby power consumption less than 0.5W in accordance with EU regulations
12V link in/out
Infrared remote control
EU CE approval
Designed and built in Denmark